Capote
Bennett Miller, Dan Futterman and Gerald Clarke, 2005

Subject
Following a grisly multiple homicide in Kansas, effeminate New York writer Truman Capote pretended to befriend the killers in order to use them as subjects for a book about the murders. The book briefly made him America's most famous writer, but the experience destroyed him.

Evaluation
The main idea that I got out of Fredric Jameson's "Reification and Utopia" was that while critics tend to approach films as narratives, it is often better to consider them delivery systems. People don't see Jurassic Park in order to watch a story with a beginning, middle and end; they go to see CGI lizards. Capote is a delivery system. It exists so people can go listen to Philip Seymour Hoffman do the voice. Certainly that's the only thing that makes this shapeless and dull movie at all memorable.

Kinsey
Bill Condon, 2004

Subject
In the first half of the twentieth century, newly married American couples often had only the very faintest idea of what they were supposed to do on their wedding nights. The only widely available information on sex came in the form of moralistic "marriage manuals" and hygiene classes full of falsehoods and ludicrous advice. Zoologist Alfred Kinsey conducted the first scientific study of human sexuality in the United States, and his two reports, Sexual Behavior in the Human Male (1948) and Sexual Behavior in the Human Female (1953), had an immense impact on American culture, making sex less furtive and demonstrating that supposedly deviant behavior was actually widespread.

Evaluation
This one's better than Capote, not least because Kinsey was a much more important figure than the flash-in-the-pan writer. But all too often the screenplay is clearly visible. "Here's the scene where Kinsey and the future Mrs. Kinsey Meet Cute and show that they are geeks of a feather." "Here's the scene in which an interview subject sums up for Kinsey what his life's work has meant to people." It's all so mechanical. At least no one repeats back to him at the end a supposedly incidental snippet of dialogue from the beginning. But while I can't endorse it as art, I'd still recommend it to people unfamiliar with this chapter in American history.


Return to the Calendar page!