Audition
Daisuke Tengan, Ryu Murakami, and Takashi Miike, 1999
#6, 2001 Skandies
Lizzie and I watched this over the course of two days. After the first
half we turned it off purely due to it being bedtime, because we agreed
that it was pretty good. Little did I know it the time that this is a
movie that proves that doesn't
always work: it takes a left turn, all right, from being a decent movie into
a craptacular one. Here come the spoilers:
Audition is about a widower whose teenage son encourages him to get
remarried. He and a filmmaker friend cook up a scheme in which they organize
a casting call for a movie that is really just a way for this guy to collect
some phone numbers and some live-action Love Connection screeners.
However, he quickly becomes fixated on one applicant in particular, a former
ballerina whose essay compared her acceptance of a career-ending hip injury
to acceptance of death. They go out a few times...
...and then the movie suddenly breaks out the cinematic dream logic, which I
generally hate,
Mulholland Dr. being the only exception that springs to mind. Here it
kicked me right out of the movie — one minute I'm in the world of
the story, the next I'm staring at my computer screen as yet another movie
tries to get all hallucinatory by swapping characters during the cuts. And
then we're in a genre movie with the ballerina decked out in a wacky outfit
subjecting the widower to inventive tortures. I read one review that described
the ballerina as "one of screen history's most chilling psychopaths," but the
scenario is so blatantly artificial — you can practically see the
filmmakers standing in the background, high-fiving each other with "dude, isn't
this twisted?" grins plastered across their faces — that the
only thing I was chilled by was the reminder that, oh yeah, this is a popular
genre.
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