The Social Network
Ben Mezrich, Aaron Sorkin, and David Fincher, 2010
#4,
2010 Skandies
I first heard of Facebook, under its maiden name of "Thefacebook," when my
online pal Alex "Phoenixy" Hoffer wondered on
her Livejournal
why "a Friendster-like site primarily for college students" was serving up
ads for a heartburn medication. I was long out of college by that point,
so I didn't get a Facebook account of my own for another several years,
after it opened to the general public. It's a handy way to keep up with
what your old classmates are up to. Of course, Phoenixy doesn't need
Facebook for that. The reason she was so far ahead of the curve where
Facebook was concerned is that she went to Harvard, where Facebook
started. She was even in the same class as Mark Zuckerberg, Facebook's
founder. And if she ever wants to see what he's been up to, well, she
can just rent The Social Network, a feature film about what
motivated Zuckerberg to become the youngest billionaire in the world.
-1- he's only doubling it if you don't count the basement
When Zuckerberg started Facebook, I was still living with Jennifer, who
watched the Cartoon Network a lot. Once while passing through the living
room I overheard
in which a ditzy-sounding anime chick declared her intention to become a
billionaire as well. And she left no doubt as to her motivation for
wanting that money, chirping, "I want it for the comforts I can acquire!"
Karl Marx would have agreed. Or so said Steve Fish, at least, in his
comparative government course which I audited last year. Fish kicked off
the course by doing a quick survey of what various thinkers have claimed
motivates people in general, and by Fish's account, Marx was the standard
bearer for materialism. Here's an example of a materialistic argument.
For a few weeks now the political blogs have been abuzz about Occupy Wall
Street, a movement that's been surprisingly successful at finally turning
the national conversation to the fact that the past thirty years have seen
a massive transfer of wealth from the middle class to the already rich.
Money that in the mid-20th century might have gone to provide some dignity
to the lives of people who contribute to society — a starter
home for a teacher, a reliable car for a secretary, braces and checkups
for the kids of a factory worker, piano lessons for the kids of a
nurse — is instead being turned over to gamblers who are not
only unproductive, but have taken active steps to destroy the economy in
pursuit of quick profits. Which raises the question: Why? What do they
want the money for? And the materialistic answer, as offered by a visitor
to an economics blog whose comment was picked up and reprinted in full by
Paul Krugman, is very simple: "The markets want money for cocaine and
prostitutes." The secret to understanding "the markets," this poster
continued, is to realize that "the markets" are not made up of financial
masterminds; "the markets" consist of a bunch of assholes in their early
20s, "supervised" by similar assholes in their late 20s, whose investment
strategy is based on using barely-understood formulas in the manner of
script kiddies to generate immediate cash so that they can sate the
appetites of assholes in their 20s.
The observation that Wall Street demographics skew young struck me as an
important one, but not because it strengthened the case for a materialistic
explanation. I'd already been taking it more or less as a given that tens
of millions of people had been forced onto food stamps so that the
directors of Goldman Sachs could buy multiple yachts, and changing that to
recent Stern grads banging seven-gram rocks didn't seem to add much. I
suppose you can argue that it might be useful as a rhetorical move, and
that argument might go something like this. Premise one: American culture
in general tends to disdain the concept of
,
and lots of people see nothing obscene about Mitt Romney
quadrupling the size of one of his many houses in the midst of a
foreclosure crisis. They hold that life is a contest, the goal is to
maximize your own prosperity, and to suggest otherwise makes you a goddamn
socialist. Premise two: these are the same people who tend to fulminate
against
. Conclusion: maybe highlighting the spending habits
of young traders rather than old ones will therefore change their minds?
Maybe, but I doubt it. People rarely choose sides on political issues
based on their principles; they choose their principles based on the side
they identify with. So, sure, hedonism on the other team is
godless depravity... but hedonism on our team — and if
you lean right, Wall Street is part of your team — well, that's
just boys being boys! Try to make a case out of it and soon
Tucker Carlson will launch a talking point that self-righteous whiners
on the left need to shut up because Wall Street wouldn't be any fun
without hookers and blow.
-2- I had the breaded mozzarella in red curry sauce
A more satisfying take was offered by another article I ran across a while
back. The writer, a fellow named Charles Pye, agreed that it was useful to
keep in mind that the typical trader is, as
Matt Yglesias put it, a "young smart arrogant dude with limited
practical experience and a burning desire to get ahead" — but
for non-material reasons. Pye offered his own
first-person account of his days as an aspiring investment banker:
|
I had always thought I was smarter than everyone else, and it was a chip
on my shoulder. I needed to prove it, somehow. And what better way than
by making a boatload of money? And to make money by manipulating arcane
mathematical formulas and computer models, even better.
[...]
It wasn't even about the money — it was all about ego, and
pride. Making money was just a means of keeping score.
|
Here we have someone who was motivated not by the comforts he could
acquire but by status, which, according to Fish's schema, was what Max
Weber considered the primary human drive. Not that Weber would have denied
that people want material wealth, any more than Marx would have denied
that people want to climb the social hierarchy. But they would have
disagreed over which was the means and which the end. Do you work for
that promotion so you can get a fancy car, or do you get a fancy car to
show off that you got that promotion? Consider the menu at the
restaurant Elizabeth and I went
to when we stopped in Grand Junction, Colorado, during our road trip this
past summer. I noticed that one item on the menu was a ribeye steak that
cost seventy-four dollars. My theory was that the point was to
make the rest of the prices look comparatively reasonable — one
look at that steak and suddenly the $38 rack of lamb seems like a steal!
But the followers of both Marx and Weber, by Fish's account, would
disagree. A Marxist would argue that, no, when people walk into what is
supposed to be the best restaurant in town, they're not looking for
bargains; they're looking to indulge themselves, and the higher the price,
the more self-indulgent they feel like they're being. And a Weberian
would counter that the restaurant is playing an even subtler game: it's
offering patrons the opportunity to show off that they're the kind of
people who can pay $74 for a steak.
Pye's notion of "keeping score" arose from the fact that, as aristocracy
has over the course of centuries given way to plutocracy, we now live in a
world where status is conferred overwhelmingly through wealth rather than
through birth. Practically there's not a huge amount of difference, given
how much of the capital controlled by the top 1% is inherited wealth, but
there is a widespread sense that if you're smart enough you should be able
to figure out a way into the upper class even if you weren't born into it.
So this is what these traders set out to do. They've long thought
themselves better than everyone else because of their intelligence, but
intelligence by itself doesn't confer social status — on the
contrary, it marks you as a nerd. Now they're finally out of school and
have a chance to leverage that intelligence into the money that will force
people to acknowledge them as their betters.
-3- hurl that spheroid down the field
The Social Network makes it manifestly clear that Zuckerberg also
considers himself smarter and therefore better than everyone else, but as
the movie opens, he's still in school and hasn't yet figured out how he's
going to demonstrate his superiority. Up to this point there have been
well-established hoops to jump through: get into the top private academy,
ace the college entrance exam, proceed to the top university. But now
the issue is, as he muses in the first scene to the girl he's
dating — or, more accurately, "in the presence of the girl he's
dating" — how to distinguish himself from his peers, who by
definition have successfully jumped through all the same hoops. There
is no prescribed next step for him to take; it's just "do something
groundbreaking." And it seems to me that his eventual choice of ground
to break was prefigured by his determination that the top university was
Harvard.
At this point you might pull up one of those lists by U.S. News
or Washington Monthly ranking colleges and say, look —
Harvard is the top university. And some years, it is. Other years
it's Yale. Or Princeton. When I was deciding where to apply, the
top-ranked school was Berkeley, which is a big part of the reason I wound
up going there. (For a huge digression about some of the other reasons
and how I feel about them in retrospect, click
here.) After I graduated, I got a job as an SAT tutor, and while at
the time it was just supposed to be a stopgap before grad school, teaching
test prep became my primary source of income in most of the years that
followed. So I wound up learning a little bit more about the admissions
process. And one tidbit I picked up was the widespread perception that
what distinguishes Harvard from other schools, even from other Ivies, is
that it's the place you go if you want to make contacts. If the
purpose of a university is to give its graduates a better chance of
financial success — I don't think it is, but the vast majority
of people seem to — then it's important to keep in mind the old
saw that what you know isn't as important as who you know.
And as Phoenixy once pointed out, Harvard is the sort of place where the
options under "Title" on the alumni association surveys include not just
"Mr." and "Ms." but "Chief Justice" and "Her Imperial Highness Crown
Princess." Even if the circles you travel in happen to be slightly more
pedestrian, it's still comforting to know that if your investment bank
collapses you can always get one of your old college pals at one of the
surviving investment banks to pull a few strings for you so you can land
on your feet. Or if you're of a more entrepreneurial bent, it's helpful
to have a roommate in line to inherit a venture capital firm.
And The Social Network depicts Zuckerberg as someone who clearly
chose Harvard for the social networking. In the first scene, the girl
he's dating chides him for being "obsessed with finals clubs,"
Harvard-specific quasi-fraternities that mark their members as the
elitest of the elitists. Zuckerberg replies that they're actually called
"final clubs" and chides her back for being insufficiently appreciative
of the fact that dating a guy from Harvard means that "you'll be meeting
a lot of people you wouldn't normally get to meet" as a lowly B.U. girl.
Which raises the question of why Zuckerberg thinks this is such an amazing
perk.
The most obvious answer, as I've just noted, is that some of those people
can be of use to you. This is the big question underlying the
lawsuits that form the scaffolding of the movie: does Zuckerberg just use
people? Did he use the privileged Winklevoss twins as the source of the
get-rich-quick idea he couldn't come up with on his own, pretending to
accept their offer of employment in order to keep them from hiring someone
else to implement it while he busied himself ripping it off? Did he use
his supposed best friend Eduardo Saverin as a piggy bank, helping himself
to Saverin's $300,000 commodities windfall to get Facebook off the ground
and then coldly cutting him out of the company once he had another source
of capital? But this line of inquiry seems to me to skirt around the
deeper question. If Zuckerberg does use people, if he chose Harvard in
order to find people to use... what does he use them for? To get Facebook
off the ground, okay. But what was the point of that?
-4- David Letterman has a different definition
The reflexive, materialistic answer is to say, duh — the point
was to make $17.5 billion and counting. Yet Zuckerberg is portrayed
as being quite honest when he says that "money isn't a big part of my
life." We learn that one of his earlier projects attracted an offer from
Microsoft, which he turned down in order to upload the program for free.
His indifference to money becomes all the more apparent once Napster
co-founder Sean Parker enters the picture to serve as a foil. Parker wears
expensive suits; Zuckerberg wears a hoodie and cheap flip-flops everywhere,
even after striking it rich. Parker ends up getting caught with a handful
of coke obtained from the midriff of a shirtless sorority girl, while
Zuckerberg sits back at the office programming late into the night.
Zuckerberg isn't an ascetic. He's not averse to beer and blowjobs. But
the pursuit of the comforts he can acquire is not what drives him.
Is it status, then? As his rivals note, despite his claim that he can
throw together a "classier" social networking site than Harvard can,
Zuckerberg gauchely splashes "A Mark Zuckerberg Production" on every
page of Facebook. Clearly he wants to be some kind of big man on
campus. What would that do for him, if it's not a route to living the
high life?
I remember that back in 1995 I went to Barnes & Noble to look at
the magazines and Drew Barrymore seemed to be on the cover of all of them.
Drew Barrymore was the biggest celebrity in the world, at least that week.
Which got me wondering: what good did that do Drew Barrymore? Yes, it
meant that she could probably command a bigger salary for her next movie,
which in turn meant that she could buy cocaine and prostitutes, though
she'd already been through her cocaine phase at age 13, and presumably
wouldn't have any trouble getting laid even if she weren't famous, given
that she looked like Drew Barrymore. Yes, it meant that a lot of people
were talking and thinking about her, but what good did that do her? For
one, in the vast majority of cases she'd never know it, and for another,
they weren't really thinking about her but about her media persona.
Ultimately, it seemed to me that the main effect of Drew Barrymore's fame
was to make a particular arbitrary series of glyphs appear on many sheets
of glossy paper. I still think of this as "Drew Barrymore Effect."
According to Steve Fish, Weber would say that I had it all wrong. He
would argue thusly: What does a materialist get out of a Prada suit or a
shot of 62-year-old booze? The pleasure of the senses. He looks at
himself in the suit and the image pleases him. He drinks the liquor and
likes how it tastes. And what does someone motivated by status get out of
being famous? The pleasure of esteem. Knowing that people like
you, respect you, envy you, desire you, is intrinsically pleasurable, even
if you'll never actually interact with any of those people. Even knowing
that all those half-circles and top-left-corners on those sheets of glossy
paper refer to you is pretty cool. If it weren't, why would Zuckerberg
have made sure that his particular series of squiggles popped up on
everyone's screen?
The problem here is that Zuckerberg doesn't seem to be after esteem,
per se. Yes, status is important to him — when it looks like
Saverin may have endangered Facebook's growth, Zuckerberg freaks out and,
his voice shaking, demands, "Did you like being nobody?!" But consider
the Facemash story arc. One of the first things Zuckerberg does in the
movie is create a site that allows users to weigh in on the relative
attractiveness of their female classmates. This move makes him persona
non grata both among the women of Harvard and its administration.
This becomes part of the Winklevosses' pitch to him: implementing their
social networking site will "rehabilitate his image." But Zuckerberg
takes this as a deep insult. As Saverin testifies, "Mark resented that
they thought he needed to rehabilitate his image after Facemash. Mark
didn't want to rehabilitate anything. [...] He'd gotten a lot of
notoriety. Facemash did exactly what he wanted it to do." The Weberians
thus seem to have correctly pegged that status would be important
to Zuckerberg, but not why — it's not that he
wants to be well thought of. But then what is it?
-5- celebrating our shared citizenship in flavor country
Let's bring in a third entry on Fish's list of motivations: community.
This he associated with Émile Durkheim, who according to Fish
maintained that the main thing people sought was to belong to a group;
without that sense of being integrated into a larger social framework
that provides its members with a set of norms, a way to measure how
they're doing, a guide to show them what they should be doing, people
succumb to anomie, and in the immortal words of Cosmo Kramer, "You
don't want that!"
Is this the missing ingredient in our discussion? Nah. But I think a
related idea might be. While we were on our road trip, Lizzie and I
listened to a bunch of recorded lectures from Dacher Keltner's course on
human emotion. The dominant theme of the class was that emotions are key
to how humans fold into groups, which in turn is crucial to human survival.
No matter how much the right may cherish the myth of the rugged individual,
a lone human in a state of nature is unlikely to last long, certainly not
with any kind of quality of life. We have to work together in groups if
we don't want to end up huddling in a cave and occasionally running out to
gather berries. Nowadays we depend on vast networks encompassing millions
of people we never see, but for 99% of our species's time on Earth we have
lived in bands of around 30 to 50 people with whom we felt a direct bond.
Much of our cerebral apparatus reflects this legacy.
In yet a third class I've audited, Paul Groth's course on the American
built environment, a particular slide tends to pop up a lot. It's an old
photo of a trio of decrepit robber barons in starchy clothes sitting in
big chairs on the roof of San Francisco's Palace Hotel, as a servant lurks
in the background waiting to hop to any command they might utter. This is
one answer to a question I used to ask a lot: why do people keep accumulating
money beyond the point that it has any further meaning? What's the point
of gathering more when you've already got more than you can spend? And
that answer is: the point is to get you into the club. Become obscenely
wealthy and you can hang out with the obscenely wealthy. For a sum that
would measurably improve the standard of living for every member of a
medium-sized city, you can have the privilege of sitting in a chair next
to a couple of other rich old dotards. Similarly, what do vapid
celebrities get out of their fame? The privilege of hanging out with
other vapid celebrities and dropping each other's names on Twitter. So,
yes, maybe the point of
or one of the other final clubs is to add a bunch of powerful contacts
to your whatever-it-is-that-replaced-the-Rolodex. But after listening to
Keltner's course I'm more inclined to think that that's just a side
effect. Weber may have been right, and people may be primarily motivated
by status. But what's important is not their personal status so
much as membership in a high-status group. And the real
benefit is not the pleasure of reflecting upon the esteem in which others
hold you, but the positive feedback from the area of your brain that says
you're in a prosperous tribe.
I should move on, but I want to make one more point. A materialist might
counter the above by saying that the movie shows us the point of
these clubs. While Zuckerberg works on Facemash, we see a party at the
Phoenix. And ultimately it boils down to cocaine and prostitutes. Or at
least ecstasy and bused-in Girls Gone Wild. But what is a party? If you
want to take drugs, why not take them alone at home? If you want to make
out with one of what the screenplay refers to as "the hottest and the
easiest," why not take her back to your place first? It seems that for
most people, being surrounded by a group while partaking in these
activities is a big part of what makes them fun. Which isn't to dismiss
materialism — the drive to fold into groups is an additional
factor, not an alternative one. I think that the most banal materialism
really does explain a lot. The engine that drives much of history is utterly
mundane — people want blue pants, and the result is that an
ethnic group gets slaughtered to clear the ground for an indigo
plantation. Voltaire pointed out in 1756 that the economy of the time
consisted of slaves "sacrificing their lives to gratify our newly acquired
appetites for sugar, cocoa, coffee, and tobacco." But speaking of
tobacco, here's something that still kind of blows my mind. In 1995 I
arrived at Northwestern for my first year of grad school. Northwestern's
English Department had recently changed its policy regarding graduate
admissions; instead of admitting fifty people and making them compete for
a handful of second-year fellowships, it had accepted just eight of us
and given us each four years of funding. Of the eight of us, two smoked.
When we hung out after class, or had a get-together at someone's apartment
so we could all get to know each other better, those two would occasionally
go off somewhere to light up. Now, note: we were not stupid, and we
were not twelve years old. We were all adults intelligent enough to be
accepted into a graduate program at a prestigious university. And yet, by
the end of the first quarter, I was the only one who wasn't smoking.
The other five chose, on purpose — they even talked about it,
planned it out in advance — to get themselves addicted to a
potent carcinogen, and it wasn't because they'd heard that tobacco was a
hell of a drug. It was just that important to them to feel like they were
part of the group.
-6- what ever happened to Licorice Pizza
Possibly the best clue to what motivated Mark Zuckerberg to create
Facebook is this: when do we see him happy? Okay, yes, he's pretty
blissed out at the end of the "we have groupies" scene. But the main
time we see him with stars in his eyes is in virtually any scene with
Sean Parker. In the frame story an attorney asks Eduardo Saverin whether
Zuckerberg had been excited to meet Parker. "Yes," Saverin replies.
"Very." And the moment Parker shows up — before
he shows up, really — Zuckerberg is in his thrall.
Why is meeting up with, hanging out with, and eventually even living with
Parker so important to Zuckerberg? Because it means that, thanks to
Facebook, he's made it into the club. Not a club of trust fund babies
like the final clubs at Harvard. Not even the club of dotcom zillionaires,
as despite his free-spending habits, Parker is actually broke and has
been couch-surfing for a while. But he's still a rock star to Zuckerberg,
because he's part of the club that really matters to him: the club of
people who have
to change the world. The old-line music industry may have won in court,
neutered Napster, forced its founders into bankruptcy. But as Parker asks
Saverin, "You want to buy a Tower Records, Eduardo?" Every shuttered
brick-and-mortar store full of empty CD racks has Sean Parker's fingerprints
all over it. He is a historical figure. And that's the club
Zuckerberg has been aiming for all this time.
Fish's list included a thinker who seems appropriate to mention here, and
that was Friedrich Nietzsche. Nietzsche, as presented by Fish, held that
people are motivated by power. Unlike Bertrand Russell, who Fish
said agreed with Nietzsche on this last point, Nietzsche didn't think that
was a bad thing; on the contrary, it was only through the strong amassing
and directing power — "lording it over the weak," as Fish put
it — that humanity could achieve great things. You don't
get the Pyramids or the Taj Mahal without pharaohs and emperors to order
them built. An especially interesting aspect of Fish's presentation was
his contention that it was crucial to Nietzsche that "the strong" be
plural. Nietzsche, said Fish, hated singular dictators almost as
much as he despised democracy. His ideal was a brotherhood of
the strong, reveling together in their shared contempt of the weak.
I don't really know whether what follows applies to the actual Mark
Zuckerberg. But here we have the answer to the question of what the
cinematic Zuckerberg gets out of having created Facebook. It's not the
money; as Saverin tells the Facebook lawyers, "Mark doesn't care about
money." It's not the esteem of the public; he doesn't care about his
reputation. It's the power Facebook gives him to express the contempt
that fuels him. As Saverin notes, Zuckerberg's earlier project, Facemash,
had done "exactly what he wanted it to do," including giving him the
opportunity to sit before Harvard's Administration Board and sneer about
how much better he was with computers than their IT team. Now, with
Facebook, he can do much more. He can go to meetings with ad executives
and make stupid noises. He can tell high-powered lawyers that they have
"the minimum amount" of his attention because they aren't "intellectually
or creatively capable" of the feats he has pulled off. After he meets
Parker, one of the few people he considers worthy of the appellation of
"colleague," he can wear a bathrobe to a meeting with a venture capitalist,
tell him "fuck you," and return to Parker's SUV so the two of them can
giggle about it. This may make him look bad, so bad that he has no chance
with a jury and has to pay a $65 million settlement, but thanks to
Facebook, $65 million is nothing to him. It's a small price to pay
for the thing that does give him pleasure: making people angry, making
people feel bad about themselves, making people suffer because
they are beneath him and suffering is what they deserve.
-7- the brotherhood of evil mutants
Zuckerberg isn't the only one who acts like this. There's Parker, of
course. The "fuck you" stunt is his idea. His obnoxious remarks ("You
know how much I've read about you? Nothing") set the template for
Zuckerberg's ("I'm just checking your math on that — yes, I
got the same thing"). It's very telling that Parker is 25 minutes late
for his first meeting with the Facebook crew, and that Zuckerberg is
impressed by this: "He founded Napster when he was 19, he can be
late." I.e., he's in the club of dotcom world-changers and can therefore
flaunt his disregard for others — exactly what Zuckerberg
wants.
But someone else makes a big impression in the film with what the B.U.
girl aptly terms "snide bullshit": Larry Summers. Again, I don't really
know whether what follows applies to the actual Larry Summers. Maybe it's
just that all of Aaron Sorkin's characters sound the same. But the
cinematic Summers is basically just an old, fat version of Zuckerberg.
"Darkness is the absence of light and stupidity in that instance was the
absence of me." "Anne? Punch me in the face." "I'm devastated by that."
Every word out of Summers's mouth drips with contempt. Which would be
obnoxious coming from anyone. Coming from a guy who was a driving force
behind the repeal of a host of financial regulations in the late '90s, and
who was therefore largely responsible for the resulting economic collapse,
it's infuriating. And it's people like this who run the world.
At the beginning of this article I talked about the motivations of the
top 1% who have gobbled up virtually the entirety of the past thirty
years' worth of economic growth. If you take the Benthamite view that
money should be distributed where it can do the most good, this represents
a colossal misallocation. Consider the case of
John Thain, a fellow whose
job was to sit in an office and place bets, which he did very poorly. His
company tanked under his watch and no longer exists as an independent
enterprise. Nevertheless, our economic system routed over $83.7 million
to this fellow in a single year, $1405 of which he used to buy a wastebasket.
Now, think of the other uses to which that $1405 might have been put. To
someone struggling to make ends meet, it might have meant two months of
freedom from anxiety about keeping a roof over her head. To someone with
a broken tooth he couldn't afford to get fixed, it might mean the end of
weeks of constant agony. Instead it went to give John Thain a little
tingle every time he threw away a piece of junk mail, knowing that he was
the sort of person who could spend $1405 on a wastebasket.
With just his salary and signing bonus, Thain would have had an eight-figure
income, as a reward for helping to destroy the economy by gambling on
derivatives. But he didn't get just a salary and signing bonus; he got
$68 million in other bonuses on top of that. Take that money away
from him, and there's virtually no harm done — he's still a
millionaire many times over. On the flip side, imagine how many people
that $68 million could have made a real difference for if you divided
it up among them — people who work very hard, people who more
importantly actually contribute to society, who teach kids to read and
help sick people get well. So why do the one-percenters insist on
funneling the nation's wealth where it does so little good?
Until recently, I would have said that the answer was self-centeredness.
That John Thain thinks the fun of using a $1405 wastebasket is more
important than whatever value others could have derived from that money,
because it's his fun. And the thing is, that's understandable. We're
all guilty of that to varying degrees. I spent more than $1405 on plane
fare and hotels when Elizabeth and I were on our road trip. In a purely
Benthamite system there would be better uses to which that money would be
put than to show us some mountains and feed us some sopaipillas. Everyone
draws a line between what's inexcusable extravangance and what's just a
decent standard of living. I still find a $1405 wastebasket outrageous,
but it's an outrageousness I can relate to. Give me $83.7 million,
and sure, that could be me.
But look at what's been going on lately and it becomes clear that a lot of
the top 1% have different and more sinister motivations. Look at the
ceaseless drumbeat among the elites for austerity, austerity, austerity.
We've got debts to pay! We racked up a tab of trillions of dollars
dropping bombs on wedding parties and torturing cab drivers to death!
Then trillions more on Wall Street's gambling debts! With debts like
those, we can't afford to pay for things like retirement plans, or medical
care, or schools! Of course, we actually can pay for them, pretty
easily. It's not that we don't have the money. It's that the money has
been siphoned away to a tiny class of plutocrats, and they're sitting
on it. And they're not doing so in order to buy cocaine and prostitutes
and $1405 wastebaskets. It's so that we can't have it. It's so
that we lose our retirement plans and our medical care and our schools.
Because we are beneath them, and watching us suffer provides them with
satisfaction.
We see it indirectly when austerity sends the economies of the world into
freefall — "manufacturing had one of its
sharpest declines ever" ... "12.1 percent
plunge in demand" ... "industry
contracted for a third month" — and the response is that
we need more austerity. And we see it directly when pundits on Fox News
deliver foam-flecked diatribes about how much they
despise teachers and how poor people shouldn't be allowed to have
refrigerators. They,
and their would-be brethren who hang out on the bottom half of the Internet
calling the poor "animals" and "savages," are fueled by the same thing as
Mark Zuckerberg: contempt. So when their economic proposals call
for more "belt-tightening," deeper cuts, further suffering, it's not because
these things are necessary to fix the economy — inflicting
pain isn't the price of these policies, it's the point of
these policies. Those who propose them don't want to fix the
economy. The economy is doing exactly what they want it to do: hurting
people. What The Social Network points to is that the
plutocrats aren't selfish. They're sadistic.
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