The page about the first edition of Ready, Okay!
began:
So, hey, I wrote a book.
This will not come as a surprise to those of you who got the URL of this
site off the book jacket.
If that sounds like you—that is, if you finished the book,
saw the mention of the web site, and decided to swing by for a
looksee—this page isn’t going to tell you anything you
don’t already know.
But if you feel like telling me what you thought of the book, I’d
love to hear from you.
The second edition isn’t available in hardcover, so it doesn’t
have a book jacket.
But everything else still holds.
If you’ve already read the new edition of
Ready, Okay!, there is nothing in the world
I want more than to
hear from you.
I mean, that’s the whole point of spending years agonizing over
every sentence for hundreds of pages, trying to usher a story from the
land of daydreams out into the real world where other people can read
it—to find out whether that story speaks to anyone.
So if it spoke to you in any way… speak back!
But if you haven’t read the new edition of
Ready, Okay! and want to learn more, read
on…
Where to get it
You can
buy the ebook on Amazon.
$3.99.
Cheaper than a burrito.
Won’t spill into your lap.
I’d thought ebooks had taken over the world, so I was surprised by
how many people told me they hated reading off screens and wanted to know
when they could get a physical copy.
If that’s you, the wait is over!
You can now
buy it in paperback.
It’s an extra ten bucks, but the way burrito prices are going
these days, that’s still pretty comparable.
If you’d prefer, you can also buy it from me directly using your
Paypal account, though that takes a little longer.
Email me and we’ll make the arrangements.
If there is somewhere else you would like to see this book made
available, then by all means,
let me know!
For instance, I put it up on
Kobo a while back in response to a reader
request.
About the second edition
When Ready, Okay! first appeared in
bookstores, I told people that it was the best work I had ever done,
and at the time, it was.
I had gained some attention for writing an interactive story called
Photopia, but as far as I was concerned,
that was just a little experiment I’d banged out in six
weeks.
Ready, Okay! was a project I’d spent
almost half my life on, populated by characters who owned vast acreages
in my mental landscape, who had put down roots even as real people came
and went.
It stood to reason that the story they came together to create would be
deeper, more substantial, and a lot closer to my heart than anything
else I’d put out up to that point.
And people seemed to like it—I was actually pretty shocked
at the percentage of people who read it who said that it was one of
their favorite books.
But it was also worse than most everything I’ve worked on since
then.
Narcolepsy is funnier.
Evil Creatures does a better job of
establishing a
varied ensemble cast.
Endless, Nameless communicates its themes
better.
And the Photopia screenplay and
novel‐in‐progress are superior on every axis.
So when Kindles and the like became enough of a thing that people
started asking me on a regular basis when
Ready, Okay! would be available as an
ebook, I didn’t want to just put out the original text as an EPUB
file—it seemed pretty clear to me that I’d need to
do a thorough editing pass if I wanted to bring the book up to my
current standard.
At this point I don’t remember exactly when I realized that
“thorough editing pass” wasn’t going to cut it, but
the second edition of Ready, Okay! is in
fact a total rewrite.
I drew up a new outline and started each chapter from a blank
screen.
There were a handful of occasions when I looked at the original
text and decided that it was fine as it was, but even then, my rule
was that I had to type it out all over again—no
copying-and-pasting.
The process was sort of like when the delegates went to Philadelphia
thinking that they were going to do a light revision of the Articles of
Confederation and ended up with the Constitution instead.
So now that I’ve talked about how much and why this new edition
differs from the hardcover version, how does it
differ?
The short answer is that the hardcover was written by an amateur and
the ebook was written by a professional.
I wrote the hardcover almost entirely by intuition—it was
a story that the narrative lobe of my brain had generated pretty much
of its own accord, and I just wrote down what it came up with.
But then I got a gig working as a screenwriter, and when
you’re working in a junior capacity on a collaborative
project like a movie, you don’t get to shrug that you wrote a
scene a certain way because that’s what popped into your head
and so that must be how the story goes.
You actually have to explain why you think your approach is the most
effective way to achieve the narrative goals you were assigned to
achieve.
And even after I went back to working on my own stuff, I continued to
take that approach: i.e., setting narrative goals and figuring out the
best way to achieve them, rather than crossing my fingers and hoping
that what popped into my head happened to be better than the
original.
The result is, I think, a dramatically improved novel, particularly in
these three areas:
Theme.
Vladimir Nabokov maintained that the worst question a literary critic
can ask is “What is the guy trying to say?”, but when I did
publicity for the hardcover, “So what were you trying to
say?” was often the first question interviewers would ask
me.
My answer was that I had no idea—that it was not the case
that I’d had some sort of message in mind and had decided to
write a novel to get that message out to the world.
I wrote Ready, Okay! mainly just to get it
out of my head and stop Echo and Molly from intruding into my thoughts
to recite their lines.
Figuring out what the book was “about” was the
readers’ job, I said, and I was very much looking forward to
hearing what they’d come up with.
The new edition doesn’t have a message either—as
Douglas Adams once said, if I’d wanted to write a message,
I’d have written a message.
I wrote a book.
But this time around, yes, I did write it with a clear set of themes in
mind, and engineered the story to explore those themes in some depth.
Character.
Another question I wasn’t able to answer: “What is this
character like?”, or as it was once put to me, “What sort
of feeling tone surrounds her?”
My response was that I didn’t think of characters as sets of
traits, and that in writing the book I just tried to inhabit the
characters in the scene at hand and intuit what each one would say
and do.
This time around I still tried to write the characters from the inside
out, but I paid much closer attention to
consistency—making sure characters
remained true to themselves.
Which isn’t to say that the characters don’t change
and grow from one chapter to the next—of course they
do.
But they’re no longer quite so malleable just for the sake of
setting up the banter or getting to the next plot point.
I’ve tried to add depth to every important character, but if
you’ve read the hardcover, I think you’ll find that Echo,
Molly, and Carver in particular are much more richly drawn this time
around.
I confess that I still don’t know what a “feeling tone”
is.
Style.
The prose in the ebook is punchier, the jokes are funnier, and the
dialogue is truer to the way people actually talk.
Also, the first time around, I put in a bunch of invented slang, on the
theory that it wouldn’t get dated as time passed.
That was dumb, so that’s gone.
Put it all together and I can once again say that
Ready, Okay! is the best work I’ve ever
done.
(For the time being.
Once I have time to do something in my free time other than lesson
planning, it’ll be back to the Photopia book!)
Samples
Try before you buy!
Allen (age 6) and Peggy
(age 7) go on a counterespionage run
Once we sneaked out together in the middle of the
night—or at least 7:30, which in the winter is close
enough.
Peggy was waiting for me on her front porch with a flashlight and a
legal pad.
Like me, she was dressed entirely in black.
“Do your parents know what you’re
doing?” I asked.
“I told them I was playing with you,” she
said.
“Okay, that sounds pretty believable,” I
said.
“Now here’s the plan.
The KGB is from Russia, so if we find any cars with Russian license
plates, we’ll know there are KGB agents living around
here.”
Peggy nodded solemnly.
The first suspect was a pickup truck parked across the
street.
I shined my flashlight on the license plate.
“California,” I said.
“Write that down.”
Peggy wrote it down. She also wrote down the
plate numbers of a dozen other cars we found on neighboring streets,
all of which bore California plates. I was beginning to get
discouraged when Peggy grabbed my sleeve. “Look,”
she said, pointing. A car in a nearby driveway clearly did not
have California license plates. We turned off our flashlights
for full invisibility as we crept up the driveway.
“Oregon,” we whispered together.
“That’s between here and Russia,” I
whispered.
“Maybe it’s not a KGB agent but, you know,
an assistant maybe,” she whispered back.
“A sympathizer,” I murmured.
We scouted out almost the entire development before we
finally got caught. To my surprise it wasn’t Mr. or
Mrs. K. who found us, but my dad. “There you are,”
he said. “What are you two up to?”
I tried to come up with a plausible pretext but decided
that what we were doing was too obvious to fool anyone.
“Looking for communists,” I admitted.
“This is what I get for moving to Orange
County,” Dad chuckled. “It’s time to come
in. You can walk your friend back to her house but then you need
to get to bed.”
When Peggy and I got back to her front porch we went
over the license plate numbers she’d written down.
“Keep that list,” I said. “Then next time if
we see any of the same cars we won’t have to write them
down.”
“Okay,” she said. “I can put
them in order, too. On index cards!”
“Good idea,” I said. “All
right, see you tomorrow.”
“Wait,” she said. She looked at me
for a second without saying anything. Then she kissed me on the
cheek.
Now, I actually had been kissed before, by girls on
the playground at recess. But this was different. Those
girls had been playing a game and were hoping that I would fall down and
roll around on the ground screaming “Eww!” and
suchlike. Peggy, presumably, was not. We had played
together every day for months now, and suddenly it looked like she wanted
our friendship to have kissing in it. This seemed to me to be an
extremely good idea. So I leaned forward to kiss her.
“Don’t,” she said. She slipped inside and
closed the door.
Allen and Echo go to orientation at Titan High School
Once I had figured out how to get from biology to
Spanish without ending up in the cafeteria or the girls’
bathroom, I met back up with Echo at the base of the cylindrical tower
that stood at the center of campus. It was tall enough to be
seen from all over the school, and had clock faces pointing in each of
the cardinal directions, which would have been very helpful if the
clocks ever agreed. Echo was staring up at the top of the tower,
where a custodian was fiddling with the control box trying to get the
clocks synchronized; it worked, but nevertheless, by the time school
started the following Tuesday, the east face was on Hawaii-Aleutian
Daylight Time and the south face was running backwards.
“Ready to go?” I asked. Echo shrugged. We
went home.
At the beginning of orientation we’d each been
given a thick manila envelope, which turned out to be stuffed full of
informative flyers and handbills in a variety of colors, from a
fluorescent chartreuse one containing the cafeteria schedule
(hamburger-shaped emulsified corn syrup on Mondays, taco-shaped
emulsified corn syrup on Tuesdays, etc.) to a purple one advertising
the yearbook (this year’s slogan: “Your In For The Ride Of
You’re Life”). Then came the public service
announcements. First up: a picture of a cone photocopied out of
a geometry textbook, topped with a circle and garnished with stick arms
and legs and a crudely drawn face, accompanied by the caption,
“Mister Ice Cream Cone says: ‘You can’t be as cool as
ice cream if you do drugs!’” Next, a pink sheet with
a boldface message: “TRY PCP!”
“I’m getting mixed messages here,” I
said to Echo.
I read onward:
TRY PCP!
Titan High School’s Peer Counseling Program (PCP) offers free
academic tutoring, conflict mediation, and confidential discussion of
personal problems. Peer counseling sessions can be scheduled in
lieu of detention time for minor infractions of the student conduct
code. If you have been issued a citation for such an infraction
and wish to exercise this option, please consult Mrs. Handey in
the front office.
“Maybe I should look into this,” I
mused.
“Were you planning on getting a lot of
detentions?” Echo asked under her breath.
“No one can detain me,” I said.
“I meant, I could be a tutor! So could you. Maybe
we should both try out for this. It could be a good way to meet
people.”
“The last thing I want to meet is
people,” Echo muttered.
Allen agrees to visit September’s house
So it was that a week later I found myself in a giant
yellow paint mixer on wheels, bound for the farthest corner of the
Titan attendance area. Sitting next to me in every direction
were guys in skateboarding T-shirts throwing
raisins at each other, most of which ended up pelting me in the
head. Only after the bus had reached the shopping center where
all the oil pumps used to be did enough people get out for September to
be able to move within shouting distance. “Sorry,”
she said. “I knew the last bus was always pretty crowded
but I didn’t know that finding two seats together would be
impossible.”
“Ain’t my fault,” the driver
grumbled.
“I don’t think she was suggesting it
was,” I said. The driver sullenly chewed on his
toothpick.
“Can I ask you something that’s not about
peer counseling?” September asked.
“I think you just did,” I said.
September looked alarmed for a split second, then
smiled. “Oh yeah, I guess so,” she said.
“I was just wondering . . . what do you want to do
for a living when you grow up?”
“Don’t drive a school bus,” the
driver muttered.
September looked at me expectantly. “He
took my answer,” I said.
She laughed. “No, really,” she
said.
“I don’t really know,” I
said. “I have some goals for high school, like getting
this certification, and getting into a good college
obviously. But beyond that—I mean, I guess we
haven’t really talked about this much, but in my experience you
don’t always know what your life is going to look like tomorrow,
let alone years down the line.”
“Yeah,” September said, though from her
tone I could tell she meant “that sounds like the sort of thing
that is considered wise” rather than “I know what you
mean.”
“How about you?” I asked.
“It kind of sounds like you have a big plan.”
“It’s not really a plan,” she
said. “It’s more like a dream. I want to be a
writer . . . ”
“What would you write?” I asked.
“Oh, all kinds of things,” she
said.
“For a while now I’ve been doing these stories about the
kids in my family—do you like
kids?”
“Sure,” I said. “Especially
simmered in a light cream sauce.”
“Allen!” September said.
“Seriously, though—do
you?”
“I dunno,” I said.
“It’s kind of a broad question. It’s like,
‘So, how do you feel about humans?’”
“Do you want to have
kids?” September asked.
“Right here? On the bus?” I
asked. “Isn’t there some kind of law against
that?”
“You know what I mean,” she said.
“That’s something else I haven’t
really thought about,” I said. “I can’t
imagine having as many as my parents, though.”
“Yeah, I know what you mean,” September
said. “I definitely want to have a more manageable number
than my parents had! Maybe seven.”
“What?” I said. “Seven is
more manageable? How many of you are
there?”
“Twelve,” she said.
“Twelve?!” I
said.
“This is our stop,” she said.
We got out in front of September’s
development. “Wait a minute, wait a minute,” I
said. “You’re . . . not the ninth
one, are you?”
“No, we’re not in order,” September
said. “Anyway, I’m used to having a whole gang
around, so it’s kind of hard to imagine not having a whole gang
of my own. And really . . . I don’t
think any number is too high if you find the right guy to be the
dad.”
“Well, in my case I hope I’ve already
found him,” I said.
September stared at me, then it clicked.
“Oh, ha ha,” she said. “I guess
so.” We turned the corner. Sprinting toward us was
a preschooler with a shiny blond bowl haircut flapping as he
ran—until his legs gave out
from under him and he tumbled into a heap. Undaunted, he
picked himself up and kept running until September scooped him
up. “Hey, Jan,” she said. “What’s
up?”
“At school today, we were blowing bubbles, I
mean, we had bubble stuff—” He stopped to
catch his breath and September put him back down. “Kevin
was popping all the bubbles, and the teacher, she said not to, but he
was popping them anyway, and we blowed more but he just popped the new
ones we just blowed, and then the teacher called everyone in and he
turned and felled in the mud!” Jan paused for a moment
and then collapsed into helpless laughter.
“Guess you had to be there,” September
said.
“But I was there!”
Jan protested.
Hank and Benito argue over photos for the school
newspaper
Hank Anderson was the
Chronicle’s photo
editor, though Benito had been trying to replace him the entire time
I’d been on the paper. Chalk it up to creative
differences. Benito rarely used her veto power on stories, but
she vetoed more of Hank’s photos than she approved. For
instance, just a couple of weeks earlier we’d been laying out the
upcoming issue, and Hank sat down at the computer to scan the photos
for the sports page. Benito shuffled over and looked over his
shoulder. “Oh no you don’t,” she barked.
“Is there a problem?” Hank asked.
“Is there a
problem?” Benito repeated.
“Look at this!”
She pointed at one of the photos. “Yeah,
I’m particularly pleased with that one,” Hank said.
“Pleased?” Benito said.
“This was supposed to be a picture of the football
game.”
“And it is,” Hank said. “The
assignment didn’t say which element of the game to
emphasize . . . ”
“That should be obvious,” Benito
said.
“Someone catching a pass, making an exciting
run . . . not the backup quarterback picking his
nose.”
“But this subject has greater symbolic
weight,” Hank said. “It’s emblematic not only
of the game in question but of American sport culture in
general. I call it, ‘Digging In on Third
Down.’”
“Look,” Benito said.
“You’re not here to make statements about ‘symbolic
weight,’ okay? You’re just here to take the
pictures. Got it?”
“You’re alienating me from the fruits of
my labor,” Hank protested.
“Deal with it,” Benito said.
“Fuckin’ bourgeoisie,” Hank
muttered.
Daisy longs for a state of nature
“Jerem’s a creep,” Daisy
said. “I don’t like him. You know
why?”
It was a few days later and I’d wandered
downstairs to snag some ice cream before bed, only to find Daisy Warner
in the kitchen eating some leftover macaroni and cheese. By
which I mean shoveling it into her mouth with her bare
hands. Her fingernails were filthy and flecked with black
nail polish. When I opened the freezer she elbowed me out of
the way and started digging through it. “The problem
with Jerem is he’s not in touch with the earth at all,”
she said, grabbing a couple of corn dogs from Bobbo’s stash
and throwing them in the microwave. “He’s
completely dependent on all his machines. In a state of
nature he’d be totally lost.” She set the
microwave to two minutes and started it up. “Now
Molly I like,” Daisy went on.
“She’s all skyclad and pagan. I told her about the
Earth Goddess and she was into it. She doesn’t need
machines any more than I do.”
“You’re using one now,” I pointed
out.
“But I don’t need
it,” Daisy countered. “Like, if this was a state of
nature, I could just heat up my corn dogs with fire.”
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